Human primal fascination for the boundaries of land and sea. Where it ends and where it begins.
Representing also the cycli of life and death, rise and cessation, and the elements of water, air, and earth.
Added by a human scale, to realise our small significance in the large spectrum of the universe. (2018)
The sacred geometry printed on the photographs are one of the five Platonic solids. These solids can be used to represent our entire cosmos, i.e. earth, water, fire, air and the ether.
Furthermore, the Metatron’s Cube symbolises magic, alchemy and containment. This works was part of an installation,
with a large physical model of a wooden dodecahedron inside of a aluminium framed cube; 5 smaller physical models; and a orthogonally flattened cube on tracing paper. (2019)
Imaginary worlds are created by turning the environment 90 degrees. How the surroundings have an effect on the human mind and body is challenged in this series.
And tell a story of the mind and body disconnection. These are moments captured that tell a narrative at a particular time and place that can’t be replicated as
feelings and thoughts change within our environment. These photographic stories are my way of detailing various fears and exploring imaginary, metaphysical worlds. (2011)
There is a visual play using the camera as an ‘abstracting eye’ to magnify beauty and magic, by meeting the object’s shadow.
Ordinary and banal kitchen objects are seen under harsh light, i.e. an external flash. Reality is blended into a distorted, fractured vision,
as the naked human eye can’t see what’s happening, perhaps in a fraction of seconds. (2018)
Ways of Unfolding through Architectural Photography
is a search of our visual world that is ever changing. Our eyes receive an overload of images every day, especially in this Digital Age we are living in.
It takes the viewer through four architectural series, tackling different themes and philosophical topics to unravel life’s mysteries, underlined with optical illusion.
Series: a) Blurred imprints on the Eye’s Retina, b) Mirrored Deconstructive Abstractions, c) Assembled Mapped Contextualities, and d) Perspective of a Miniature Cosmos. (2018)